white people love to say we need to fill our hearts with more love in this post-trump world. this upsets me (and many others) greatly, as a denial of our right to anger and resistance. but it also upsets me because it perverts and appropriates what has always been, to me, a critical resistance practice.
when white people say we need to fill our hearts with more love, they most likely do not mean the following. but i do:
- love black people. love blackness. unlearn all the anti blackness in you that has been passed down through your own culture, that has perhaps caused you to not love yourself. understand loving blackness as a key underpinning of how to become free.
- love people of the same sex. love trans folx. love your friends. love your friends’ children. resist the idea that love only exists in a nuclear family formation between…
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by Anastacia Quinones
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Traditionally, the fall and winter holidays are the time when we reach out to family and friends, often with a ubiquitous holiday card, sometimes enclosing new pictures of the family, or a letter trying to stuff in every notable thing anyone in the family has done since the last letter. When I was a kid, we taped the cards we received to a glass door in our living room, and we would try to guess how soon after Thanksgiving we would receive something from that one relative who always sent the first card of the season.
My dad was a graphic designer and had artist friends. Their holiday cards were always my favorites, and I could often guess who sent the card based on its creative style. Finding artists’ holiday cards in the DMA Archives always reminds me of that tradition, so I thought I would share a series of cards by cartoonist Jerry Doyle from the…
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Barbara Broccoli has another non-Bond project lined up, a stage production of The Kid Stays in the Picture about movie executive and producer Robert Evans.
Broccoli, along with half-brother Michael G. Wilson, Patrick Milling Smith and Brian Carmody, are the producers of the play. Broccoli and Wilson are the co-bosses of Eon Productions, which make James Bond films.
Evans, 86, started as an actor before working behind the camera. One of his early roles was in 1957’s Man of a Thousand Faces, a James Cagney movie about Lon Chaney. Evans played film producer Irving Thalberg. He later became a movie mogul in real life as an executive at Paramount. He shifted to being a producer of movies such as Chinatown and Marathon Man.
Along the way, Evans led a colorful life, including marrying actresses Camilla Sparv and Ali McGraw as well as pleading guilty to cocaine trafficking…
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on november 9, millions of americans woke up and for the first time realized this country is racist, and sexist, and classist, and many other -ists. maybe you’re one of them. maybe you started wearing a safety pin (0.5 woke points), or maybe you called your senator about #noDAPL (3 woke points), or maybe you took a class on intersectionality in college (5 woke points).
i’m just kidding. there is no such thing as woke points, because wokeness is not a competition (use of ‘woke’ while non-black: minus 50 woke points). in all seriousness, i’m noticing an epidemic of people who are beginning to have a social justice political analysis, or who have had a political analysis for a while, but who do not have a method to act on that analysis.
it’s great that many more people are beginning to develop their political consciousnesses. please continue! read here and
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by Steven Doyle
Cafe Izmir, the tiny restaurant packed with loads of flavor and spirit, is located on Greenville Avenue where diners have enjoyed romantic get-a-ways for decades. The new locations in Plano, downtown and even at the airport still bring in the flavors, but it is the original location that continuously brings me joy.
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Whether you like your adult beverage shaken or stirred, we think you’ll enjoy this. A celebration of over 100 years of cocktail ware design, Shaken, Stirred, Styled: The Art of the Cocktail opens at the Dallas Museum of Art this Friday, November 18, during the DMA’s Late Night event. Organized chronologically and divided into sections that correspond to major shifts in the consumption of cocktails, the exhibition features nearly 60 works drawn primarily from the Museum’s collection. It explores the relationships between political, social, and economic currents, developments in technology, quotidian practices of consumption, and design styles. An interactive display prompts visitors to explore the history of spirits and cocktails alongside that of the vessels in which they were prepared and served. Below are a few highlights paired with historically accurate cocktails included in the exhibition’s interactive display. Cheers!
“Skyscraper” cocktail shaker, cups, and tray, William Waldo Dodge, designer, 1928–31, silver, Dallas Museum…
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